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Biographical Sketch
James Walter Fitzgibbon was born August 6, 1915, in Omaha, Nebraska. His parents, Frank Phelan and Agnes (Clifford) Fitzgibbon, briefly lived in Nebraska while Frank worked on a large construction job as a subcontractor. Fitzgibbon’s family returned to upstate New York, where siblings George Clifford (1917–1981), Francis Joseph (1919–1991), John David (1922–1996), and Marifrancis (1927–) were born and raised. James Fitzgibbon graduated from Onondaga Valley Academy in Syracuse, New York, in 1932. The following year he graduated from Syracuse Central High School. In 1933, he entered Syracuse University’s School of Architecture as a Gifford Scholarship student. Fitzgibbon was elected vice president of Syracuse’s student government in 1937. He won the Gifford Design Prize and graduated with a bachelor’s degree in architecture in 1938. Fitzgibbon earned a master’s degree in architecture from the University of Pennsylvania in 1939, where he won the Warren Prize design competition and was a finalist in the Rome Prize competition. In November 1940, Fitzgibbon married fellow Syracuse student Margaret Inez Crosby of Falconer, New York.
Fitzgibbon began his academic career as an assistant instructor of architecture
at the University of Pennsylvania’s School of Architecture, where he
worked with professor Otto Phealton. Concurrently, he began his professional
career, serving as an architectural designer with United Engineers and Constructors
of Philadelphia from 1939 to 1943. In 1944, he was appointed associate architect
for campus planning at the University of Oklahoma in Norman. The following
year he resumed teaching as an assistant professor of architecture in the University
of Oklahoma’s School of Architecture program. In 1948, Fitzgibbon and
a group of fellow faculty and students left Oklahoma to establish the School
of Design at the University of North Carolina at Raleigh (later changed to
North Carolina State College but known today as North Carolina State University).
Fitzgibbon served as the associate architect for campus planning and initially
as an assistant professor of architecture before becoming a full professor
in 1953. In Raleigh, Fitzgibbon began his long partnership with R. Buckminster
Fuller, as head of the Fuller Research Foundation in 1949. Fitzgibbon temporarily
set aside his academic career and became Fuller’s business partner in
three companies, Skybreak Carolina Corp. (1952), Geodesics, Inc. (1954), and
Synergetics, Inc. (1957). 
Throughout the 1950s and 1960s, Fitzgibbon’s work focused on industrial architecture and geodesic dome applications for military, governmental, and commercial clients, including the United States Navy, the United States Information Agency, the United States Department of Commerce, the Union Tank Company, the Missouri Botanical Garden, the Canadian government, Ford Motor Company, the 1961 Seattle and 1964 New York World’s Fairs, and the Kuwaiti government. These projects resulted in Synergetics’s dome structures being built around the globe from Antarctica to Mali. Fitzgibbon’s work with Synergetics received much publicity and recognition, most notably with exhibitions at the Museum of Modern Art in New York City.
Throughout his academic and professional life, which focused on more industrial
applications of architecture, Fitzgibbon created numerous residential structures.
In 1947, he designed his first residence, a unique concrete “desert house” for
his brother, Francis Joseph, in Pojoaque, New Mexico. Residential projects
that followed included the Cleveland House and Kirby-Smith House in Sewanee,
Tennessee (1948); the Daniel House
in
Knoxville, Tennessee (1948); the Paschal House, the Fadum House, and his own
residence (617 Kirby) in Raleigh (1950); the Garth Newell House in Hot Springs,
Virginia (1954); a dome home built in Raleigh and transported to Addis Ababa,
Ethiopia (1965); and the Gottlieb Residence in Raleigh (1968). Fitzgibbon and
his wife were also artists who had their paintings, drawings, and prints exhibited
at several galleries and museums.
In 1968, Fitzgibbon took a leave of absence from Synergetics to teach as a visiting professor of architecture at Washington University in St. Louis. He continued his academic pursuits for the rest of his life, not only as a professor at Washington University but also with visiting professorships at several institutions, including the University of California-Berkeley and Harvard. Numerous consulting projects provided opportunities for Fitzgibbon and Fuller to work together on ventures in the early 1970s, such as the Old Man River Project, an $800 million urban renewal conceptual city designed to house 30,000-50,000 people under a massive dome in East St. Louis, Illinois, that was never built.
Fitzgibbon’s major research interest was ephemeral architecture. He
amassed numerous articles and illustrations of temporary structures from the
nomadic cultures of the past to the cultural architecture
of
today’s fairs and entertainment venues. He self-published two books on
the ephemeral architecture of England’s royalty in the 1500s and also
designed a paper punch-out model of Shakespeare’s Globe Theatre for the
Folger Shakespeare Library’s gift catalog.







